EVIDENCE OF THINGS NOT SEEN
By Lindsey Lane
Genre: YA / Mystery / Suspense
Publisher: Farrar Straus Giroux
Date of Publication: December 16, 2015
Number of Pages: 240
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Tommy Smythe is missing.
Fact: Tommy was good at physics and less good at basic human interactions.
Fact: Tommy recorded his thoughts and observations in a notebook.
Fact: Tommy believed in the existence of parallel universes.
Fact: Tommy was adopted.
The facts are simple. The conclusions to be drawn from the facts are not simple. Did he run away to find his birth parents? Did he slip through a wormhole and enter one of the multiple universes he believed in? Did he simply wander off?
Only one thing is certain: until a possibility is proven true, all possibilities exist.
Told through multiple perspectives, here is a story about how residents of a small town seek answers to the mystery of a teen’s disappearance.
“In her first novel for teens, Lane offers a gripping and genre bending mosaic.” – Publishers Weekly
“Complex and Rich” – Horn Book
“This is the kind of book you tuck in with and escape into, and it will stay with you long after you finish the last lines. Haunting and beautiful.” – Jennifer Mathieu, author of The Truth About Alice, Devoted, and Afterward
“The narrative jiggers between unexpected opposites—joy and fear, love and violence, grief and hope—all the while holding forth the constant idea that the world offers us credible evidence of what seems impossible if we only know where to look.” J.L. Powers, author of Amina, This Thing Called The Future, and the forthcoming Broken Circle
“Ever look at a pearl and notice that its one color is, in fact, many colors? That’s the beauty of EVIDENCE OF THINGS NOT SEEN, the stunning debut novel by Lindsey Lane.” – Conrad Wesselhoeft, author of Adios Nirvana, Dirt Bikes, Drones and Other Ways To Fly
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A Dead End That Changed My Direction
Guest Post by Lindsey Lane
In a way, the beginning and ending of every book must be discovered.
Let me explain. For Evidence of Things Not Seen, there were a few beginnings. There was the beginning when I woke up from a dream where I saw a boy standing in a pull out by the side of the road. I wondered what that boy was doing there, so I began writing into the dream, into the place by the side of the road, into that landscape and its people.
But there was also the beginning several years before when I wrote a play called The Miracle of Washing Dishes, which was a play about the epiphanies characters had while washing dishes. The epiphanies and the dishes held the play together. I think the play was a success because people like to witness epiphanies. They like to feel their world can be shifted even if they are too afraid to do it themselves.
There was also the beginning when Alexander Calder’s mobiles touched my work and I realized that I could fracture a storyline and that all the fragments would still hold together and tell a complete story with spaces for the reader to enter in and make it their own.
These few beginnings above informed me as a writer. They brought me to the place of telling this particular story. The boy led me into the world of the pullout where everyone who came there had some sort of epiphany. The characters each had their own gossamer thread and, because the center of the story was missing (Tommy), the threads wobbled (like pieces of a mobile) as they do when some thing has gone missing from our lives. Each time we come to the pages of our manuscripts, we bring our history as well our intention to tell a true and honest story. We quarry for the best nuggets and we line them up one by one leading the reader deeper into the world we have created.
But where do we take our readers once we have them traveling the bloodlines of our stories? Where do we want them to land? What feeling do we want them to have as they step away our stories? Comfort? Despair? Promise?
My original ending had a bow on it. Luckily enough, an agent was reading my manuscript and she was quite enthused about it. She kept emailing me all the way along, saying how much she liked each chapter and how deep and finely woven each character was. When she got to the ending, she wrote, “With the tenor of this book, I don’t believe you can wrap things up so neatly. “
I took another look.
If each story line shakes the characters to their core and brings them to a revelation, could I really wrap the whole kit and caboodle in a bow?
I knew that I didn’t want to land in a place of despair. That wasn’t the essential truth in each character. Each epiphany, each revelation was meant to be positive. You see, essentially, I believe that people treat people like they want to be treated and that given a choice, we fall on the side of good. But at the same time, there is a natural anxiety in being alive. We don’t know what will happen tomorrow. We don’t know what will happen when we wake up in the morning. We can feel afraid. Or we can live with the mystery and find the promise that something good might happen. That’s where I landed the book: there is promise in the mystery.
Lindsey Lane is the author of the young adult novel Evidence of Things Not Seen (Farrar Straus Giroux) and the award-winning picture book and iTunes app Snuggle Mountain (Clarion/PicPocket Books). She is represented by Erin Murphy Literary Agency. Before she received her MFA in Writing for Children and Young Adults from Vermont College of Fine Arts in 2010, Lindsey was a features journalist (Austin Chronicle and Austin American Statesman) and an award-winning playwright (The Miracle of Washing Dishes). Lindsey is a featured presenter at schools and conferences and universities and also teaches writing at Austin Community College, Writers League of Texas, and the Writing Barn. She lives in Austin, Texas but loves to travel, especially to the ocean. She loves books, films, good food and her cadre of dear friends. Her idea of a perfect evening is having a dinner party at her home with friends from around the world and discussing everything under the sun while eating, drinking, and laughing.
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