Posted in excerpt, memoir, nonfiction on April 21, 2024

 

 

 

THIS FAMILIAR HEART:

 

AN IMPROBABLE LOVE STORY

 

by

 

Babette Fraser Hale

 

Memoir / Relationships / Aging / Grief

Publisher: Winedale Publishing

Date of Publication: April 2, 2024

Number of Pages: 312 pages

 

 

 

 

In this intimate rendering of a relationship, we learn how deceptive surface impressions can be.

Leon Hale, author of Bonney’s Place, was sixty years old, a “country boy” who wrote about rural Texans with humor and sensitivity in his popular column for The Houston Post and, later the Houston Chronicle. Babette Fraser at thirty-six was a child of privilege, a city girl educated abroad, struggling in her career while raising a young son. No one thought it could work.

Even Hale himself held serious doubts. But it did endure. The interior congruencies they discovered through a long and turbulent courtship knit them tightly together for the rest of his life.

And when he died during the Pandemic isolation period, searing levels of grief and doubt threatened Babette’s understanding of the partnership and marriage that had sustained her for forty years. Had he really been the person she thought he was? Had he kept secrets that would forever change her view of him?

In candid, evocative prose, she explores the distorted perceptions that often follow the death of a cherished spouse, and the loving resolution that allows life to go on.

 

 

 

TAMU Press  *  Amazon

 

 

 

 

 

 

 

 

 

 

 

 

 

Excerpt from

 

This Familiar Heart: An Improbable Love Story

 

by Babette Fraser Hale

 

 

Babette is only about two minutes late getting to Harrigan’s. She’s not sure what to expect. Will she know the man when she sees him?

The foyer is gloomy after the bright sunlight of the parking lot, but she isn’t standing there long, blinking, when a tall figure in a faded blue jean jacket appears in the doorway to the even darker interior.

He is taller than she expected, and there is something about his face that doesn’t come into focus. He is speaking to her, though, so it must be him, but he seems to be looking around her at the same time.

They sit in a booth and order beer. Only one other table has occupants.

She initiates her rehearsed explanation, slipping her shyness into an envelope of words. A quick summary of her writing project, her work for magazines, her hope for fiction. How she has recently applied to the graduate creative writing program at UH.

The manager brings them their drinks.

Hale asks where she grew up. “Actually, the other end of the street I live on now,” she replies, smiling at the peculiarity. “The name changes, though.” She’s doing the usual dance around the fact of River Oaks. The affluence of the neighborhood carries implications of privilege that embarrass her.

He looks quizzical.

“It changes at Kirby Drive,” she adds. “Not too far from here.”

He doesn’t press for more.

She can see Hale’s mood is divided, half at ease, half edgy—and all the while glancing at her, the lightest brushing glance from pale blue eyes, sliding past. Kind eyes, she thinks. Maybe. She wishes they’d hold hers longer, although even the graze gives her a jolt.

As they talk, she discovers he comes from the part of West Texas where her father was born. Maybe that’s why the rhythm of his speech feels familiar. His accent is stronger, though.

She asks a few questions. Or, more accurately, she makes statements phrased as questions in the attempt to locate commonalities of outlook. This habit is so intrinsic to her, she hardly knows it’s happening. When he becomes a little prickly, she’s so surprised she moves quickly to something else. Afterward, she will retain the impression of his response, but not the offending subject.

He asks about her novel and she tells him as much as she can.

“Whose work do you like to read?” he asks.

“Walker Percy, at the moment. Have you read him?”

He has not. “Should I?”

“He’s a wonderful writer,” she says. “Sometimes his writing makes me anxious. Once in a while. Not his newest, The Second Coming. I really loved that.”

Hale is listening. The sliding gaze—on her, then away.

She decides it’s shyness that keeps him from meeting her eyes for long. But around him the air seems to glitter. There is something delicate but important about his attention. She keeps wanting to hold her breath, the way you do when an exceptional bird lights near you. Or a wild animal that would never cause you harm. She wills herself to relax onto her chair. It doesn’t quite work.

 

 

 

 

Babette Fraser Hale is the author of A Wall of Bright Dead Feathers, 2022 winner of the debut fiction award from the Texas Institute of Letters. Her stories have received notice from Best American Short Stories, 2015 and the Meyerson Award from Southwest Review. In addition to writing fiction, Babette has been a magazine feature writer, columnist, contributing editor, book editor, and publisher. She lives in Texas.

 

 

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Posted in excerpt, memoir, nonfiction on March 12, 2024

 

Synopsis

 

When Jan moves to Guatemala with her young daughter to run a medical clinic on the heels of her divorce, she knows the experience will be difficult and life-changing. But she doesn’t anticipate all the ways she will change. To make sense of her professional, personal, and parenting turmoil in a country with plenty of its own turmoil, Jan finds herself adopting a Maya worldview that weaves together concepts of duality (there can be no light without dark, no joy without pain), harmony with nature, and the importance of connecting to the past to understand one’s present self.

Awash with elements of Mayan mythology, history, and culture and innumerable revelations of the compassion, intelligence, and resilience of the Guatemalan people, Bird’s-Eye View is a coming-of-middle-age story that shows how viewing life through the prism of a different set of myths can help an individual understand the familiar tales they have unwittingly followed.

 

 

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Excerpt

 

Everything has a spirit

 

In an animistic cosmology such as the Maya world view, the natural and supernatural realms co-mingle, and all things are imbued with a sacred essence. Everything has a spirit—the rocks, the lake, the trees.

The spirits of trees are evidenced by the fact that they grow back when they are cut down, so it is forbidden to sit on a stump because that would be sitting on a spirit. Also, because the tree has a spirit, before cutting it or using its wood, one must ask permission of nature and wait until a full moon. If not, the tree’s spirit can harm the logger or his family.

I heard of a man who wanted to clear the land but did not recognize the hallowedness of the tree spirit, did not consult the guardian of nature, and did not wait for the full moon. Instead, he capriciously chopped what was in his way and stepped over the stump. The trunk tumbled, the branches broke, and the crown collapsed. Rising from the stump was not a spirit, but a ghost. The man only wanted to clear the land for his crops. He did not care for the wood he left on the ground, so he burned the stump and left the trunk there to rot. The stump’s ashes turned to mud, and its ghost haunted him.

If all natural objects have spirits, do intangible things such as relationships have them as well? If so, how had my relationship with Wade (my former husband) sprouted? How had it grown? How had it died?

For many years, the heartwood held our tree upright. Our daughter was a new branch that grew out. We bought a little house, delved into countless projects, and planted our garden. I sowed the seed of the idea of our little family traveling, living, and working in Latin America, perhaps because I thought if we were doing what we loved with each other, we would prune the decaying limbs and new growth would sprout. The early version of us lay inside, but layers that grew year after year made it harder to reach.

Holding on to the hope of reviving what was dying between us, I stayed at a job I hated for years to save money for our trip to Latin America. Every year that passed, I thought we were a little bit closer, but in reality, every year that passed, we were a little bit further apart. After a decade together, the heartwood rotted, and a hollow pith formed.

Still, by force of my will, our family held together. When Wade canceled our trip and soon thereafter split apart our family without consulting the powers that be, our marriage was felled.

Was the spirit of our failed marriage left standing? Did it haunt him the way it haunted me? And yet, out of the stumped of what had been carelessly cut, new life was emerging.

 

 

About the Author

 

Jan Capps has been a public health advocate for immigrants, farmworkers, domestic violence victims, and people of color in the US, Guatemala, and Mexico for over thirty years, focusing on building local capacity and health equity. During her two stints living in Guatemala, she organized and trained community health workers and midwives, managed a medical clinic, and studied the Maya Tz’utujil language. She has presented, trained, and written for national audiences. Her greatest joy and most humbling experiences have been being a mother and watching her glorious daughter grow and launch into the world.

 

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Posted in Book Release, Colorado, Historical, nonfiction on March 1, 2024

 

 

Synopsis

 

Lyle is a struggling teenager with low self-esteem. His poor decisions reinforce his reputation as a troublemaker. Marylin arrives at a new high school and navigates the challenge of fitting in. When Lyle sets his eyes on the new girl at school, he is smitten. He is determined to win Marylin’s affection.

Eventually, Lyle convinces Marylin to give him a shot, and a relationship follows. Their story together is filled with obstacles, but their commitment to one another provides the foundation for a lifetime of happiness. Together, they dream of a family and a destination to gather friends and loved ones. Against all odds, they secure both.

A Yellow House In The Mountains is a story of overcoming adversity. Lyle and Marylin lean on each other to build a legacy never to be forgotten. Challenges come early and often, yet, their determination and faith push them forward in pursuing their dreams.

The events of October 21, 2020, were historical and costly. By the end of the day, more than 193,000 acres and more than 400 homes were consumed in the East Troublesome Fire, Colorado’s fastest-moving fire in history. Lyle and Marylin understood living in their mountain paradise had risks. How would they prepare? What actions could they take? Did their preparations make a difference when the fire arrived on their doorstep? Their approach to the oncoming fire was consistent with their approach to other challenges in their lives…they faced it together.

 

 

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Excerpt

 

The investment in a new business, plus the expenses of a new home were mounting. Even though he was only 35 years old, his schedule wasn’t sustainable and it finally caught up with him. Lyle suffered a stroke.

“Marylin, he must slow down,” the doctor explained. “He’s lucky you got him here so quickly or the damage done would have been more severe.”

“I thought strokes only happened to old people,” Marylin replied.

“Generally, that’s true. But, there are other causes. Has he been dealing with difficult work issues? Is he under any stress?”

“He’s been working multiple jobs for years. Stress is what drives him,” Marylin explained.

“Not anymore. He needs to slow down a bit.”

Lyle’s speech was impacted only for a short time. Fortunately, his mobility and memory remained intact. After a few days of rest, he felt good enough to return to the fire station but upon his return home, he found his spouse waiting at the door.

“I want you to sell the business. I need you and it simply isn’t worth risking your health by holding three jobs,” Marylin said.

Lyle understood his lifestyle wasn’t sustainable but was driven by his ambition to provide well for the family. “But Punk, we have so many financial obligations,” Lyle countered.

Anticipating his concern, Marylin shared her solution. “I’m going to find a job. With the kids all in school, I’ve got time and want to help.”

Reluctantly, Lyle agreed to support Marylin’s efforts.

She began with a search through the newspaper want ads. While there were many offers of employment, most required a college degree or minimally, graduation from high school. With neither in her resume, Marylin was drawn to the ads in the restaurant and service industries. One job stood out from the others as it offered a significantly higher wage and referenced additional compensation from tips. Excited to pursue the job, Marylin called and set up a time for an interview. On the day of the interview, Marylin carefully dressed in her Sunday best attire. She was a hard worker and determined to impress the potential employer. She drove about 15 minutes to East Colfax Avenue to an office building surrounded by numerous restaurants, bars, and motels. As she entered, a young receptionist greeted her.

“I’m here for an interview,” Marylin shared.

“Great. Have a seat. Mr. King will be with you shortly,” the receptionist instructed.

As she waited, she couldn’t help but notice the numerous photographs and awards on the walls. She thought, Mr. King must be a very important individual. Marylin recognized many of the celebrities and political figures from TV and newspaper articles. Feeling a little intimidated, her exploration of the photographs was interrupted by the receptionist, “Mr. King will see you now.”

As she entered the office, she was in awe of the spacious accommodations. Mr. King stood from behind his desk and walked towards Marylin, extending his hand. “So, you’re looking for work?”

Marylin energetically responded, “Oh yes, with my five children now in school, the timing is right, and we can use the extra money.”

“Hmmmm. I don’t think you’d be a good fit for the job,” Mr. King explained.

“But, I’m very good with people, I work hard and know I could be successful,” Marylin persuaded.

“Yes, but,” Mr. King began before Marylin interrupted.

“Can you just give me a chance? You really won’t regret hiring me,” Marylin pled.

Thinking carefully, Mr. King paused. Leaning back in his leather chair, his eyes looked up and down, carefully evaluating Marylin’s appearance.

Why is he looking at me like that?

He then instructed, “Let me see you dance.”

“Dance?” Marylin questioned.

“Young lady, do you know the kind of work you’re here for?” Mr. King inquired.

“Yes, the ad said something about serving in a restaurant,” Marylin stated.

Mr. King then clarified, “Well, we do serve food and drinks, but we’re hiring strippers. I can see you’re not the type.”

Embarrassed, Marylin realized she was in an interview with the owner of Sid King’s Crazy Horse Bar. Later, she was even more shocked to learn of Sid King’s reputation as the “Sultan of Striptease.”

It wasn’t long before Marylin decided she needed to secure a GED. With a degree, her options would expand.

 

 

About the Author

 

Glenn Hileman is the CEO of Highmark School Development and has spent over fifteen years living in Bountiful, Utah. His love of Grand Lake, Colorado led to him purchasing his parent’s home in 2020. His family is actively working to restore the property from the devastation of the East Troublesome Fire. In doing so, they hope to honor the legacy of his parents. “A Yellow House in the Mountains” is his first book.

 

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Posted in 4 paws, comedy, Giveaway, humor, nonfiction, Review on November 8, 2023

 

 

 

GOOD TALK. . .GOOD TALK

 

by

 

Ginny Andrews

 

 

Nonfiction / Humor / Comedy / Essays

Publisher: Ginny Andrews Comedy, LLC

Date of Publication: October 5, 2023

Number of Pages: 171 pages

 

Scroll down for Giveaway!

 

 

 

 

Raise your hand if you have ever run into a mannequin in a store and apologized. Continue to keep your hand raised if you want to pre-write thank you notes to those whom you anticipate attending your funeral because you suffer from chronic “way too nice” syndrome. Keep it up high if you have ever farted in church or yoga class. Man, my arm is getting tired!

Most people are awkward during the middle school years, grow out of it, and blossom into mature, well-functioning human beings…I’m still waiting for this to happen. Awkwardness is my hidden talent, although most who know me would tell you it isn’t hidden—it’s written on my forehead. My daily life is filled with epic failures. Sometimes I feel like I’m one big malfunction! As I have gotten older, I just try to embrace it.

After you read this collection of essays, hopefully you will be able to accept your imperfections too! Nope, probably not because I’m still not there! However, maybe my comedy will stick with you like that hemorrhoid you can’t seem to get rid of, like ever—Good Talk. . .Good Talk.

 

 

 

Amazon

 

Praise

 

“Reading Ginny Andrews’s Good Talk. . .Good Talk is a lot like hanging out with that girlfriend that invariably makes you laugh until you cry.” —Lauren Cassel Brownell, author of Zen and the Art of Housekeeping and Dying to Donate

Good Talk. . .Good Talk is a laugh out loud winner, filled with quirky stories reminiscent of Patrick McManus.” —J. Andersen, author of The Breeding Tree, The Gene Rift, and Legacy’s Impact

“Anyone with anxiety will totally relate to Ginny Andrews’ humorous tales of the struggle of day-to-day life in today’s world.” —John A.B., Amazon Reviewer

 

 

 

 

 

 

 

 

 

 

 

When I first started this book, I wasn’t quite sure if I would be able to finish. The first few chapters made me anxious, and I’m not an anxious person! However, once I hit chapter four, I found essays that were relatable and introspective for the author. I found that I could relate to many things she wrote about, from medication issues to not laughing too hard so you don’t pee and confronting your fears. I appreciate that she can share her fears and awkwardness with the reader. I bet that many of us have felt this way at one time or another. I know that I laughed because these situations were so familiar. I think we have all said things we didn’t mean to say, or at least not how they came out of our mouths. *Raises hand*

Ginny is down to earth in the essays she shares with us in this book. I feel like I could be sitting next to her, agreeing wholeheartedly with the things she says. When you reach a certain age, almost everyone has the same issues and reactions to events. I think if I invited her to a gathering, I might not be the most awkward there. Ginny, what are you doing next week?!

While the essays are not tied together, there is a common theme – self-awareness. It may not always be the prettiest, but it is knowing who you are and being the best person you can be in whatever the situation. And if you can recognize your foibles along the way, even better.

I came away from reading these essays with the knowledge that no one is perfect, and we all are doing the best we can in this life. We may stick our foot in our mouth, not understand some things around us, or feel like a hamster on a wheel, but we are all human. We just need to learn how to laugh at ourselves, and maybe next time, we won’t be quite as awkward.

I give this book 4 paws up. Get it for the donkey pictures!

 

 

 

 

 

 

 

 

Ginny Andrews is a former high school teacher and coach, who is now an aspiring comedian, speaker, and writer. She would greatly appreciate it if you purchased her book! Door Dash, dog-sitting, used car sales, lawn mowing, and selling random items found in her house aren’t high paying gigs!

 

 

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Signed paperback of GOOD TALK. . .GOOD TALK

 

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Posted in Business, Guest Post, nonfiction, Trailer on November 3, 2023

 

 

Synopsis

 

An astounding true story of a young woman driven by her desire to escape chauvinism blazes a whirlwind path full of mystical encounters and unexpected adventures. From love to lawsuits, her business and personal life intertwine, bringing her to untold heights. Uncanny predictions at a chance encounter with a Fulbright Scholar from India follow her throughout life, as if written on the wall and fated to happen.

Chauvinism from her youth make her determined to explore opportunities. She breaks through a glass ceiling of seventy men, enjoys traveling for a year, and returns to found an innovative startup in New York City. Whether skiing the powdery snow in Aspen, or waking up on a beach in Mexico to men with machine guns, each adventure brings challenges and insights to add to an ever-broadening awareness. A lucky break merges with swirling thoughts to ignite a new business. Running a successful startup attracts ADWEEK Magazine of New York. She places first on their list of “The Dynamic Dozen.” It should have been smooth sailing, but sharks were circling. A court battle followed.

Entertaining and inspirational stories are told from pivotal times in history. Readers gain skills about life and business. The narrative will make you laugh at humanity, provoke anger at infuriating situations and leave you inspired to reach goals. Stimulating questions are raised, which will generate a deeper introspection.

 

 

 

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Guest Post

 

Never Say Never

 

 

Have you said, “That will never happen to me” but wish it would? Although seeming impractical or impossible at the time, daydreams and wishes are goals that can make you recognize opportunities. They can lodge in the back of your mind, setting the stage for unexpected events. I’ve learned to never say never.

As a child, I wanted explanations about life, but my mother was big on platitudes. When I complained she said, ‘It’s never so bad it couldn’t be worse.” When I was sad she said, “Laugh and the world laughs with you. Cry and you cry alone.” And when I contemplated life, “There will always be people better off and worse off than you, so learn to be happy with who you are.”

It was good advice, but I wanted a deeper explanation. I joked that someday I would find out more and maybe write a book about life and love. It was just an idyllic daydream that seemed impossible. I studied commercial art, that led to working in an advertising agency and running my own business. I never dreamed of becoming an entrepreneur or an author.

 

 

Many years passed. At a women’s gathering group in my middle age, one woman would tell the story of her life after a potluck dinner. I couldn’t put my complex life into a short twenty-minute talk, but it prompted me to journal. It was fascinating as I saw the picture come together. My life was a remarkable adventure that I didn’t want to forget, so I saved it for my older years.

Over ten years later, I reread the journal. For the first time, I realized my life told the story of the woman’s movement and much more. It had the makings of a book with my thoughts about life and love, but now told through the eyes of women in business and a mystical experience.

After an online course in writing, a lot of work, manuscript readers, and an editor, the book was finished. I’m happy to say it has been getting great reviews. My impossible dream has come true. Never say never. It begins with a daydream. Thoughts lead to opportunity, and you never know what may happen.

 

 

 

 

 

Watch the Trailer here if you cannot view it above

 

 

About the Author

 

Marilyn Howard broke through the glass ceiling at Grey Advertising of New York to become their first female art director while in her early twenties. In 1970, she founded an innovative startup. Creative Freelancers Inc. became the first agency to connect businesses with freelance artists and writers, and operated for over 25 years in the center of Manhattan. ADWEEK Magazine of New York featured her in “The Dynamic Dozen,” those women under forty they identified as most likely to succeed. In 1997, her company became the first agency on the Internet. The author holds a B.F.A. from Syracuse University.

 

 

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Posted in Book Release, Historical, Interview, memoir, nonfiction on October 6, 2023

 

 

Synopsis

 

Dwell Time is a term that measures the amount of time something takes to happen – immigrants waiting at a border, human eyes on a website, the minutes people wait in an airport, and, in art conservation, the time it takes for a chemical to react with a material.

Renowned art conservator Rosa Lowinger spent a difficult childhood in Miami among people whose losses in the Cuban revolution, and earlier by the decimation of family in the Holocaust, clouded all family life. After moving away to escape the “cloying exile’s nostalgia,” Lowinger discovered the unique field of art conservation, which led her to work in Tel Aviv, Philadelphia, Rome, Los Angeles, Honolulu, Charleston, Marfa, South Dakota, and Port-Au-Prince. Eventually returning to Havana for work, Lowinger suddenly finds herself embarking on a remarkable journey of family repair that begins, as it does in conservation, with an understanding of the origins of damage.

Inspired by and structured similarly to Primo Levi’s The Periodic Table, this first memoir by a working art conservator is organized by chapters based on the materials Lowinger handles in her thriving private practice – Marble, Limestone, Bronze, Ceramics, Concrete, Silver, Wood, Mosaic, Paint, Aluminum, Terrazzo, Steel, Glass and Plastics. Lowinger offers insider accounts of conservation that form the backbone of her immigrant family’s story of healing that beautifully juxtaposes repair of the material with repair of the personal. Through Lowinger’s relentless clear-eyed efforts to be the best practitioner possible while squarely facing her fraught personal and work relationships, she comes to terms with her identity as Cuban and Jewish, American and Latinx.

 

 

 

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Praise

 

“A masterful revelation about life and art imitating each other in maintenance and repair.” —Kirkus Reviews (starred)

DWELL TIME evokes a visceral, vibrant, complex materiality. From her mother’s aging body to the spectacular architecture of Cuba to the history of marble, concrete, and plastic, Lowinger brilliantly unlocks the stories that always reside in the material. DWELL TIME is as intellectually engaging as it is profoundly moving.” —Dana Spiotta, author of Wayward, a New York Times Critics’ Top Book of the Year

“Rosa Lowinger’s DWELL TIME is the story of a family, a mother-daughter relationship, but forged of what seems like new building materials entirely. An artist has many duties, among them to conserve the traditions and innovations of the past but also to “make it new.” This memoir does just that, and delivers on its final promise, that of repair.” —Gary Shteyngart, the New York Times bestselling author of the memoir Little Failure and novels that include Super Sad True Love Story, Absurdistan, and Our Country Friends

DWELL TIME is a multi-generational family memoir that reads like a panoramic, deeply moving roman-fleuve—taking the reader from Eastern Europe through Havana, Miami, Manhattan and Los Angeles, amid revolution, war, upheaval and exoduses. That it’s written by a revered conservator of art makes perfect sense, because Lowinger’s profession has given her a complex understanding of the past, of the contingencies of history, of the differences between surface and interior. One of art conservation’s creeds is: ‘You can’t repair what you don’t understand.’ This beautiful book is an act of understanding as a work of art.” —Randy Kennedy, New York Times arts writer and bestselling author of Presidio

“In DWELL TIME, art conservator Rosa Lowinger delves deep into a profound insight lying at the heart of her profession: when you understand how something got broken, you cannot help but soften to it. And when you soften to the damage done to an object of art, you soften to the damage others have done to you. Bit by bit, you begin to let go of the pain of the past, learning to live more fully in the present. Deeply personal and profoundly moving, DWELL TIME transcends the field of art conservation, applying its lessons to family and beyond.” —Barry Michels, bestselling author of The Tools and Coming Alive

 

 

Interview with Rosa

 

What made you decide to write a Memoir and share your story?

 

In 2009, when I had the Rome Prize at the American Academy in Rome, I came across the memoir The Periodic Table by Primo Levi. As I read the way he structured a family story around the metaphor of chemistry, I realized that I had a similar book in me, about conservation. Initially, I thought of it entirely as a way of showing the world what the conservation field is all about, because there are no books out there AT ALL that display our work in a way that is true and makes sense. Our profession is rife with powerful metaphors about damage and repair, and I felt that telling that story would resonate with so many people. I thought about this book for years and years but put it on the back burner as I built a business, which is now the U.S.’s largest woman-owned materials conservation practice. Then, the pandemic happened. Suddenly I found myself with time to write and reflect. I began a novel, hired a writing coach to help me structure it, and out of the blue I mentioned this idea for a memoir. She said, “stop everything and write that book proposal.” As I began to unpack the conservation material, a story about my family burbled through the narrative. It centered around my troubled, volatile, and extremely abandonment-averse mother. I realized that our family’s loss of Cuba, a country that my grandparents had moved to in the 1920s traumatized my family irrevocably and made my parents difficult to live with. As I wrote, I began to see the healing metaphor within this subject matter as a way to understand my family history of double exile. Art Conservation teaches us that the basis of all repair is understanding the source of damage. My goal with this memoir was to use this knowledge I have to unravel and learn to understand the intergenerational trauma at the foundation of our family life.

 

What is the definition of Dwell Time and why did you pick it as the title of your book?

 

In conservation, the term dwell time refers to the amount of contact time a chemical material needs to work. It is a measure of action on something you are trying to remove— soap on dirt, solvent on a stain, paint stripper on a varnish. The term dwell time also refers to the total time a person spends in an airport, or looking at a web page, or the time a family lingers at a border, waiting to get into a country, or the time you live in a city before moving on. I chose this title because it perfectly describes how I was trying to clean away the murkiness that made my family difficult to understand. Metaphorically, Dwell Time can also mean the amount of time you need to work on a problem. As I write in the book: We repair and make reparations by taking the risk of going past our own immediate emotions. Acting is its own salvation. You take the harsh decision or material, blend it into a gel, and watch the magic happen. The content of this book is like one of those solvent gels. That’s my hope, anyway.

 

What exactly is an art conservator and why did you pursue this career? How is it connected to your personal history?

 

Materials conservators (this term is more esoteric, but it’s used to include both art and architecture) repair, preserve, and perform preventive maintenance and basically enhance the longevity of all built heritage, which includes artworks, natural history collections, books, media, film, sculpture, paintings, murals, textiles, costumes, tapestries, archeological sites, and historic buildings and their materials. Our work blends art, science, and good hand skills. We are trained in the science of chemical deterioration and repair, and we work within specialties, like doctors. In public building restoration projects, for example, we are the ones who determine how stone or metals are treated, how terrazzo floors are repaired and salts leaching through tiles are addressed, yet we are often relegated to the sidelines and the architects get all the credit, even though they do not have the technical knowledge about materials that we have. In art, the curators, gallerists and fabricators get all the attention, yet it is only we (conservators) who know what to do when someone puts their elbow through a painting, or an outdoor sculpture starts to rust. I pursued this career because I fell into it. I was studying art and not very good at it. A professor recommended the field to me. I got into grad school by default and found that the field dovetailed with my sensibilities. It was all a bit subconscious I imagine. As a conservator, you are a servant to a work of art, never the protagonist. It’s got an odd humility to it, work done in the service of someone else’s aesthetic. I was raised to be beholden to others’ visions, my mother especially.

 

 

About the Author

 

Rosa Lowinger is a Cuban-born American art conservator and founder of RLA Conservation of Art + Architecture, LLC. (www.rlaconservation.com), the U.S.’s largest woman-owned materials conservation practice. She is also a published author, most well-known for Tropicana Nights: The Life and Times of the Legendary Cuban Nightclub (Harcourt, 2005), a book on Havana’s pre-Castro nightclub era currently optioned for television by Keshet International, the company responsible for Homeland, Our Boys, and The Baker and the Beauty. Other fictional works by Rosa include The Encanto File, a play produced off-Broadway by the Women’s Project and Productions and published in Rowing to America and Sixteen Other Short Plays, edited by Julia Miles (Smith & Kraus, 2002), and The Empress of the Waves, a short story published in the anthology Island in the Light/Isla en la Luz (Trapublishing, 2019).

Rosa’s academic and professional distinctions include the 2008-09 Rome Prize at the American Academy in Rome, where she researched the history of vandalism, graffiti, and street art; and Fellow status in the American Institute for Conservation and the Association for Preservation Technology. She holds an M.A. in Art History and Conservation from NYU’s Institute of Fine Arts, lectures regularly at numerous universities around the country, and serves on the boards of the Amigos of the Cuban Heritage Collection at University of Miami, Florida Association of Museums, the Partnership for Sacred Places, and the Florida Association of Public Art Professionals.

Rosa co-curated the exhibits Promising Paradise: Cuban Allure American Seduction (Wolfsonian Museum, 2016) and Concrete Paradise: Miami Marine Stadium (Coral Gables Museum, 2013). She writes regularly for academic and popular media about conservation, the arts, and Cuba. Her 1999 cover story on Havana for Preservation spawned a career in cultural travel that has taken her to Cuba over 100 times since 1992. Rosa lives in Los Angeles and Miami.

 

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Posted in 5 paws, Giveaway, nonfiction, Review, Texas on August 22, 2023

 

 

MUMENTOUS

 

Original Photos and Mostly-True Stories about Football,

Glue Guns, Moms, and a Supersized High School Tradition

That Was Born Deep in the Heart of Texas

 

by

 

Amy J. Schultz

 

 

Nonfiction / Photo-Driven Memoir / Women’s History / Pop Culture / Texana

Publisher: Atmosphere Press

Page Count: 178 pages

Publication Date: April 25, 2023

 

 

Scroll down for a giveaway!

 

 

 

 

The closest you’ll ever get to seeing someone actually wear their heart on their sleeve is in Texas, every fall, at the local high school homecoming game.

They’re called homecoming mums. They are as bodacious as football, as irresistible as a juicy rumor, and as deep as a momma’s love. Over a hundred years ago when the custom began, mum was short for chrysanthemum, a typical corsage that boys gave to girls before taking them to the big football game. But through the decades, mum went from a simple abbreviation to a complicated shorthand for an eye-popping tradition that’s as ingrained in the culture as it is confounding to outsiders.

 

Through her original photography and collection of stories from across and beyond the Lone Star State, Amy J. Schultz takes us deep in the heart of mum country. You’ll meet kids who wear them, parents who buy them, and critics who decry them as just another example of consumerism gone wild. But mostly, you’ll discover that just like every ritual which stands the test of time, someone is keeping the tradition alive. Someone like Mom.

 

 

 

 

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I have been waiting for this book ever since the author had a Mum exhibit in Arlington at a local museum. Attending high school in Texas, I am very familiar with the Mum tradition. However, this was some 40 years ago, and mums in those days were NOTHING as I see now. I am sure you see stories on the news channels highlighting how much bigger and bolder they have become. In fact, I saw this meme, and it is almost scarily true.

 

 

 

Despite the newsworthiness of the Texas mum, this book shares with us a history of how it came to be, stories from moms, students, and more. This book is chockful of stories, old and new, men and women, and their stories of homecoming and mums. You might have your own mum story to share. And you can do so at the back of this book on one of the several blank pages. I might just have to see if I can find any photos from high school during this time.  I will say that my mum came from the local florist since DYI was not big at that time. Or it was just getting started. This was the mid-80s. Or it might have just been the small town we lived in at the time. Mums were also a reasonable size and didn’t require more than a few pins to hold them on.

But more than anything, this book is about traditions and how it brings mothers and daughters together over a shared project. While I don’t think any other state will ever have mums to the proportions that are here in Texas…because everything is bigger in Texas…it does make one take notice. It may seem crazy, but what a wonderful crazy ride to be on.

Pick up the book, enjoy the stories, marvel over the photographs, and perhaps relive a few of your own memories. Or maybe they are your child’s memories. Either way, this book is a memory book for all to see.

We give this book 5 paws up.

 

 

 

 

 

 

 

Amy J. Schultz is an author and award-winning photographer who explores unique aspects of modern culture that hide in plain sight. When she isn’t talking about homecoming mums, Amy is writing, taking photos, working on other creative projects, traveling, snort-laughing, or vacuuming up dog fur.

 

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TWO WINNERS:

 

First Prize: signed hardback copy + enamel pin; Second Prize: eBook + enamel pin

 

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Posted in excerpt, nonfiction on July 15, 2023

 

 

Synopsis

 

The world has already changed – The genie (AI) is out of the bottle, but this is a genie of our own making, and one that we designed to think, learn, grow, and develop on its own, without the need for human involvement.

Elon Musk, Steve Wozniak and over 1,000 other influential people in the field have already signed an open letter requesting a pause on the development of AI, citing security concerns and stating, “AI systems with human-competitive intelligence can pose profound risks to society and humanity”.

Italy has gone so far as to ban, at least temporarily, the AI application, ChatGPT, following a security breach where “it was possible for some users to see another active user’s first and last name, email address, payment address, the last four digits (only) of a credit card number, and credit card expiration date,” according to an OpenAI spokesman.

This book, “AI-AGI Revolution: Will This Change What It Means to Be HUMAN?”, takes readers on a journey to explore these issues, the incredible potential of Artificial Intelligence (AI) and advanced General Intelligence (AGI), the incredible challenges, and the incredible potential impact on what it means to be ‘human’.

From the promises of technological utopianism to the existential questions raised by attempts to recreate human intelligence, AI-AGI Revolution discusses the most remarkable area of technological advancement in recent history.

This book explores the moral, ethical, economic and cultural implications of human-like AI systems, and the implications of an AGI system that would certainly surpass humans with reference to its intellectual abilities.

“More than anything, this book is an exploration of the subject to promote discussion and debate,” added author, Ms Bella St John. AI is not good, nor bad – but where we go from here is something that needs informed consideration. My hope is that this book provides food for thought – no more, no less.”

Explore topics ranging from:

  • An overview of the AI Revolution
  • Why I felt the need to co-author this book with AI
  • AI outpacing Moore’s Law
  • The comparisons between child developmental psychology and ChatGPT
  • AI’s propensity to convincingly make stuff up
  • The origins of AI
  • The blurring line between human and AI, including Robot ‘Legal Personhood’, and cross-dimensional marriage
  • Should robots have ‘human rights’?
  • Is AI sentient?
  • Deep Fake
  • Impact on Businesses and on Individuals (pro and con)
  • Implications for Education and Training
  • The Age of the Cyborg
  • Are Artists and Writers now an endangered species?
  • Why “Critical Oversight” is essential
  • What if consciousness is fundamental – what does that mean re AI and Consciousness?
  • Responses to the AGI Revolution
  • Will AI-AGI Change What It Means to Be Human?

…and so much more – including my thoughts on ‘co-authoring’ a book with artificial intelligence.

“I hope this book inspires people to talk with each other – really talk with each other on the topic of AI. Not to have a right or a wrong, but to explore the topic. Only by doing what seems to have become a lost art (ie having a discussion and respecting all viewpoints whether one agrees with them or not) will we be able to navigate this exciting but challenging time ahead”.

 

 

 

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Read for Free via Kindle Unlimited

 

 

Excerpt

 

“I think, therefore… What am I?”

Let’s examine something I hid in plain sight when I designed the cover of this book:

“I think, therefore… what am I?”

“I think therefore I am” is a famous philosophical statement by René Descartes, which asserts that the very act of thinking proves one’s existence. It is a statement that has been debated for centuries and has significant implications for our understanding of consciousness, self-awareness, and artificial intelligence.

With the emergence of artificial intelligence (AI), this statement has gained new significance, raising important questions about the nature of consciousness and the possibility of machine sentience.

AI has made significant progress in recent years, with machines that can seemingly ‘think’ – recognize speech, translate languages, play games, and even write poetry. However, despite these impressive achievements, AI still lacks the kind of self-awareness and consciousness that is characteristic of human beings – but not everyone agrees. This has led to debates about the nature of consciousness and whether machines can truly think and be self-aware.

This also raises questions about whether machines can ever be considered truly alive or whether they are simply sophisticated tools that mimic human behaviour. Some argue that machines can never be truly conscious because they lack the kind of subjective experience that humans

have. Others argue that consciousness is simply a product of information processing and that machines can, in theory, be conscious if they are programmed in the right way.

Then there is the question of whether machines can have free will, which is closely tied to the idea of consciousness. Free will is the ability to make choices that are not determined by external factors. If AI reaches a point where it is fully independent from any human input, learning from its own successes and failures, can it then be argued that AI has free will to decide what it does next?

Another important consideration is the ethical implications of creating machines that are capable of what we might consider as thought and even consciousness. If machines can truly think and feel, then it becomes more difficult to justify treating them as mere objects or tools. This raises important questions about the ethics of creating and using AI and whether we have a moral obligation to consider the well-being of conscious machines.

It is these and many other considerations that lead me to write this book.

I hope it provides food for thought…

 

 

About the Author

 

Ms Bella St John is one of the most original thinkers you could hope to meet when it comes to a range of topics whether it be quantum physics, history, psychology, artificial intelligence, spirituality, culture, business, branding, marketing, writing, where science fiction and science fact intersect, and so much more…

She is an intelligent anachronist who is much more at home wearing long skirts and writing with her gold fountain pen than she is in jeans and a t-shirt and writing with a ballpoint.

Bella is an acclaimed Achievement Strategist, Writer, Artist, and Photographer who combines a lifetime examining ‘what makes people tick’ with her eclectic range of interests.

“Who am I? Although I’ve achieved some amazing things in my life, I consider myself a ‘work in progress’, so the answer to that question changes often, but some things that remain fairly constant – I love things Edwardian/Victorian (I’m one of those definitely born in the wrong time period – shoot me a message if you can relate!), red wine, exploring new places, writing, photography, quantum physics (yes, I know, that doesn’t exactly fit the Victorian theme), being inspired, inspiring others, anything steam-powered, learning new things – and discussing and sharing with others. In 2016, I decided to essentially retire, sell up, and see the world fulltime – becoming a 24/7 Luxurious Nomad, despite having a mobility challenge. Some people have said of my adventures and all the things I have done that I must be at least 172 years of age (no comments about me looking 172 years old, thank you!)”

 

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Posted in LGBTQ+, nonfiction, Review on June 5, 2023

 

 

 

 

Synopsis

 

Your husband tells you he’s transsexual.

Do you drop him like a hot rock? Could it possibly work out? Read this book!

Includes: the transsexual process, talking to others, assessing your relationship, finding therapists, maintaining your marriage, jealousy, helping your children adjust, and more. Also, for the woman who falls in love with a transsexual.

It’s not all about him. It’s about you.

 

 

Amazon * DX Varos Publishing * Barnes & Noble

 

 

Praise

 

“Being a transgender woman, it is easy for me to forget that it isn’t all about me. It helps me to relate better with my partner when I hear from another woman’s perspective. Although there were a few uncomfortable spots I would recommend this book to anyone that is considering or is already transitioning.”- Kristy Burney, Goodreads

 

Guest Review by Nora

 

If your spouse or partner recently came out as transgender and you’re wondering if this book is for you, trust me, it is! ‘It’s Not All About You: Living with a Transsexual Spouse or Partner,’ by Elisabeth L. Morrissey is a terrific book of advice for those who have recently realized that the person they were sharing their lives with is transgender.

It can be difficult to struggle with the question of what to do after your spouse tells you that they are trans. Of course, you want to be supportive, but where does this new information leave your marriage?

Elisabeth L. Morrissey has been married to a trans woman named Karen for twenty-five years, and, as such, she has a lot of knowledge about the trans community.

Although Karen was already living as a woman when she and Elisabeth met, Elisabeth has spent a lot of time researching laws regarding trans people and talking with people in the community about what they have dealt with in coming out. It’s a situation that not many people outside of the trans community talk about, but one that every married trans person and their spouse have to face.

Elisabeth offers a lot of useful advice from the pen of someone who has actual knowledge of the situation and I can see her advice being very helpful for anyone who is married to (or in a serious relationship with) a trans person.

From talking about how to obtain a good therapist or marriage counselor, to how to help your partner as they re-experience adolescence in the opposite gender, ‘It’s Not All About You,’ is exactly the type of resource that can come in clutch in a difficult time.

Although I have never personally experienced a spouse or partner coming out as trans, I have to say that I found this book very intriguing and informative. I am so happy that a book like this can be written, and I hope it helps anyone that reads it.

 

 

About the Author

 

Elisabeth Morrissey learned a lot as a volunteer for several years at the Gender Identity Center of Colorado, a transgender support organization, and from her twenty-five-year marriage to a male-to-female transsexual. She is otherwise a homemaker and support system for her spouse, Karen.

 

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Posted in excerpt, nonfiction, War on May 21, 2023

 

 

Synopsis

 

Everyday War provides an accessible lens through which to understand what noncombatant civilians go through in a country at war. What goes through the mind of a mother who must send her child to school across a minefield or the men who belong to groups of volunteer body collectors? In Ukraine, such questions have been part of the daily calculus of life. Greta Uehling engages with the lives of ordinary people living in and around the armed conflict over Donbas that began in 2014 and shows how conventional understandings of war are incomplete.

In Ukraine, landscapes filled with death and destruction prompted attentiveness to human vulnerabilities and the cultivation of everyday, interpersonal peace. Uehling explores a constellation of social practices where ethics of care were in operation. People were also drawn into the conflict in an everyday form of war that included provisioning fighters with military equipment they purchased themselves, smuggling insulin, and cutting ties to former friends. Each chapter considers a different site where care can produce interpersonal peace or its antipode, everyday war.

Bridging the fields of political geography, international relations, peace and conflict studies, and anthropology, Everyday War considers where peace can be cultivated at an everyday level.

 

 

Amazon * Cornell University Press

 

 

Excerpt

 

Introduction

 

“Do you want to go to the green, yellow, or red zone?” Kyrylo bellowed enthusiastically. He was gripping the wheel of his probably mufflerless SUV and we were barreling down a superhighway outside of Kyiv, Ukraine. It was 2015, and Kyrylo lived on the other side of the country in the nongovernment-controlled part of Donetsk, but traveled to the capital city regularly to gather supplies and meet with colleagues about his humanitarian work. His color-coded levels of risk, brilliantly calibrated to the universal language of the stop light, were intended to help manage the perils of working in close proximity to military violence. For the red zone where sniper fire was common, I would need a helmet, Kevlar, and exhaustive knowledge of where to take cover at any moment. In the yellow zone where there could be heavy artillery fire, I would need to be connected to the flow of information at a granular level: knowing the forecast in the military microclimate was essential to survival. In the green zone, I might see plumes of smoke or be awakened by the grumbling of artillery fire, but there would not be life-threatening dangers, he told me. Kyrylo’s stoplight metaphor challenged my previous way of thinking about war as chaos. He showed me the side of military conflict that entails planned destruction. But the simplicity of this mental mapping stands out against another reality, which was the complexity of who was fighting whom, and why. And while it might seem surprising, people, including families with small children, lived in the red zone, vividly demonstrating that contemporary conflicts threaten life’s very ongoingness: one could be shot and killed while stepping out to buy bread.

Between 2014 and 2017 alone, the conflict over the Ukrainian provinces of Donetsk and Luhansk extinguished well over 13,000 lives (many of which were civilian) and injured at least 24,000 people (OHCHR 2017, 1). Tens of thousands were missing and presumed dead. Over two million people had been forcibly displaced (OHCHR 2017, 1; Mukomel 2017, 105), and the United Nations Office for the Coordination of Humanitarian Affairs (OCHA) estimated the population of humanitarian concern to be five million (OCHA 2020, 1). The scars of the conflict marked the earth itself: by 2017 Ukrainian soil had one of the highest concentrations of landmines in the world (OCHA 2020). Unless removed, these mines will shift over time and take lives and limbs for decades to come. Eight years on at this writing, and despite multiple efforts to end the conflict, peace remains elusive.

This book is less concerned with the statistics, however, than the subjective experience of military conflict. The chapters seek to expand the boundaries of what we take to be war. Contemporary military conflicts are increasingly being fought in residential areas, and the protagonists have changed. We, therefore, need to stop thinking about military conflict as something that is primarily waged between the trained soldiers of states. Theories of “new wars” and “hybrid wars” (Kaldor 2013; 2006; Hoffman 200) postulate that cyber-technologies, Jihadists, mercenaries, disinformation, election interference, and forcible population dis- placement characterize contemporary military conflicts. But these concepts still implicitly treat states as the most important actors. If today’s wars are increasingly fought in civilian areas, it is all the more imperative to study (as this book aims to do) what happens among the noncombatants who live in areas where conflict and combat occur.

 

The Conflict over Donbas and this Book

 

The military conflict began in the wake of the 2013–2014 revolution, also known as the Revolution of Dignity or the Maidan movement. The revolution initially sought to bring about greater integration with the European Union, an objective that aroused sharp controversy in the eastern provinces of Donetsk and Luhansk, Ukraine. Protestors took to the streets and while some supported the political transition going on in Kyiv, others were against it. In March 2014, insurgents in the city of Sloviansk seized administrative buildings as well as the police station, and the first shots were fired. It was the beginning of a bloody armed conflict, sometimes called a hybrid war because of Russia’s covert intervention using multiple modalities on behalf of the insurgents. The conflict therefore had both domestic and international dimensions that are elaborated on in the next chapter.

For now, suffice it to say that Ukraine’s aspirations to be more integrated with the West, aspirations that the United States and the European Union encouraged, hardly played well in Moscow, and helped inspire the occupation of Crimea. The “success” of the Crimean operation is believed to have helped embolden President Vladimir Putin to support the anti-Maidan insurgency in eastern Ukraine. In the beginning, mercenaries paid by the Russian Federation were important ac- tors in the conflict. At the battle of Ilovaisk, that began in August 2014, Russian military forces became more identifiably involved. Owing to how weak the Ukrai- nian military was at this time, it was up to battalions of volunteer fighters, coming from all walks of life, to limit this advance. The United States also provided sup- port, including technical advice, training, and eventually the transfer of advanced military equipment like surface-to-air missile launchers. This was on top of the United States Department of State having advised the Ukrainian government to have its troops stand down when Crimea was occupied. A great deal of debate has centered on who is to blame: kto vinovat? Ukraine’s territorial integrity and the social identities, political rights, and economic livelihoods of people across this region, not to mention respect for state sovereignty more generally, are at stake.

The first half of the book takes place in government-controlled parts of Ukraine. These chapters are organized around friend, family, and romantic partner relationships to illuminate the specific ways in which war can reconfigure intimacy while intimate relationships are the site of a different, everyday kind of war. The second half of the book is focused on life in and around the Donetsk

 

 

About the Author

 

Greta Uehling’s scholarship is broadly concerned with international migration and forced displacement. Major projects have examined the experiences of refugees, asylum seekers, and the internally displaced. Her current project explores the subjective experience of military conflict and forced displacement in Ukraine. Based on ethnographic fieldwork, she documents how the military conflict reconfigured social worlds that became the site of a different, everyday kind of war.

Prior to teaching in the Program on International and Comparatives Studies, Uehling consulted with a number of international organizations including the United Nations High Commissioner for Refugees, the Organization for Security and Cooperation in Europe, and the Watson Institute at Brown University.

Uehling holds a PhD in cultural anthropology from the University of Michigan. In 2004, she completed a post-doctoral fellowship with the Solomon Asch Center for the Study of Ethnopolitical Conflict at the University of Pennsylvania. Her first book is Beyond Memory: The Deportation and Repatriation of the Crimean Tatars. Her newest book is Everyday War: The Conflict over Donbas, Ukraine. She is also the author of numerous scholarly articles and the editor of two edited volumes.

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