Synopsis

The world experiences an abrupt and unthinkable cataclysm on the morning of October 29, 2018. Kevin March, high school band trombonist and wannabe writer playing hooky, is witness to its beginning. To stay alive, Kevin embarks on a journey that promises to change everything yet again. On his journey, into a digital recorder he chronicles his experiences at the end of his world. This book is a transcript of that recording.

Depicting an unspeakable apocalypse unlike any seen in fiction―there are no zombies, viruses or virals, no doomsday asteroid, no aliens, no environmental cataclysm, no nuclear holocaust―with a Holden Caulfieldesque protagonist at his world’s end, The Late Bloomer is both a companion piece to Lord of the Flies and a Bradburyian Halloween tale.

The Late Bloomer is harrowing, grim and poignant in the way of Cormac McCarthy’s The Road. Told in Kevin March’s singular and unforgettable voice, delivering a gripping narrative with an unsparing climax as moving as it is terrifying, The Late Bloomer defies expectations of the genre and will haunt those who read it.

Mysterious Galaxy

Praise

“I fell deep into the postapocalyptic and addictively complex world of The Late Bloomer and didn’t want it to end. Not only is it a wonderful, binge-able story, but the voice of the central character had me hooked from the beginning, and Kevin March became a person I cared about, thought about, even after the last page was finished.” —Dan Chaon, author of Ill Will

“Like a sharp, winding staircase that narrows as it turns, the claustrophobic world of The Late Bloomer hems the reader in page by page.” —Tal M. Klein, author of The Punch Escrow

“Harrowing, unsettling and exquisitely written, The Late Bloomer is part War of the Worlds, part Twilight Zone, and part Shirley Jackson. It is an unforgettable, unforgiving vision of the end of the world, of those who attempt to survive and those who wish to stop them. The images conjured here will haunt you long after putting it down. Good luck, dear reader.” —Louisa Luna, author of Two Girls Down

“We classify some prose as genre, some as literary, and ‘never the twain shall meet.’ The Late Bloomer is both. Falkin gives us all sorts of Stephen King (story), meets the oft-mentioned William Golding’s (character), Lord of the Flies. Experimental in its style, protagonist, writing protégé Kevin Gabriel March, possible future guide of the new world, dictates the old world’s ending into a stolen voice recorder. Establishing a Stand-like setting, The Late Bloomer  morphs into full-on textbook lit, like, for the ages literature. Like man versus all seven narrative conflict themes. Like drilling deep for symbolism and allegory. Yes, literary devices and shit. This novel overflows with rich language and divine sentences. The Late Bloomer is giving me everything! After the end someone must tell the tale, dear Reader. Why not our Kevin Gabriel March?” —Teffanie T. White, African American Literary Award-winning author of Dirt

“An apocalyptic coming-of-age tale the likes of which you’ve never seen, Mark Falkin’s The Late Bloomer channels the heart of Ray Bradbury, the sensibilities of Rod Serling, and the grim despair of Cormac McCarthy, all wrapped up in Falkin’s unshakable, inimitable style. Both beautiful and horrific, this is a young adult novel that even the most case-hardened fans of speculative fiction will find riveting and deeply moving. Highly recommended.” —Ronald Malfi, author of Bone White and Little Girls

About the Author

Mark Falkin is the author of the novels Days of Grace and Contract City. Though he remains a card-carrying member of the Texas Bar, he is a literary agent by day and oftentimes by night. He lives with his wife and daughters in Austin, Texas.

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