Synopsis

Set during the Great Depression, Sarah Bird’s Last Dance on the Starlight Pier is a novel about one woman—and a nation—struggling to be reborn from the ashes.

July 3. 1932. Shivering and in shock, Evie Grace Devlin watches the Starlite Palace burn into the sea and wonders how she became a person who would cause a man to kill himself. She’d come to Galveston to escape a dark past in vaudeville and become a good person, a nurse. When that dream is cruelly thwarted, Evie is swept into the alien world of dance marathons. All that she has been denied—a family, a purpose, even love—waits for her there in the place she dreads most: the spotlight.

Last Dance on the Starlight Pier is a sweeping novel that brings to spectacular life the enthralling worlds of both dance marathons and the family-run empire of vice that was Galveston in the Thirties. Unforgettable characters tell a story that is still deeply resonant today as America learns what Evie learns, that there truly isn’t anything this country can’t do when we do it together. That indomitable spirit powers a story that is a testament to the deep well of resilience in us all that allows us to not only survive the hardest of hard times, but to find joy, friends, and even family, in them.

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Review

The depression was a hard time for most people in the US. While the realities of life were obvious, people still found ways to entertain themselves. In this case, the dance marathons pitted couples against one another to win a cash prize. Looking back, you have to wonder how sane this idea was as some of these marathons lasted months. I can’t even imagine being awake that long even with catnaps here and there. I don’t know about historical accuracy, but this novel featured “hoofers” or employees in the marathons and typically won, keeping the money in the company or with the promoter. Reading these accounts made me appreciate what people did to ensure their livelihood.

Evie Grace Devlin was no stranger to performing, but her dream was to be a nurse, and she thought she had succeeded when she was accepted into a nursing school in Galveston on a full scholarship. Who knew the head nun would have it out for her and yank that from under her at the last moment? This moment throws Evie back into the theater world via dance marathons as a nurse of sorts. This ragtag group became her family, and I learned a lot about how these marathons worked and to what extent they would help each other just make it through life. When you learn about Evie’s life growing up and how her mother treated her, you won’t lose any love for that woman. Mamie only cares about herself to the extent of torpedoing her daughter’s life.

Zave is a hoofer and has a connection to Evie that she discovers after a short period of time. They form a bond, and Evie thinks he could be her life’s great love until she learns something about him. I won’t spoil that secret, but it creates tension and issues between the two until they resolve the issue.

This story intrigued me, educated me, and gave me all the feels while reading about lives during the Great Depression. There are even political references since it was the same time that FDR ran against Hoover for President. I enjoyed the various settings, from Houston to Galveston to Litchfield to Chicago. Each represented what was happening in these different areas during the depression, and not all towns were alike.

We give this book 5 paws up.

About the Author

Sarah Bird is a bestselling novelist, screenwriter, essayist, and journalist who has lived in Austin, Texas since long before the city became internationally cool. She has published ten novels and two books of essays. Her eleventh novel, LAST DANCE ON THE STARLITE PIER–a gripping tale set in the secret world of the dance marathons of the Great Depression–will be released on April 12th.

Her last novel, DAUGHTER OF A DAUGHTER OF A QUEEN–inspired by the true story of the only woman to serve with the legendary Buffalo Soldiers–was named an All-time Best Books about Texas by the Austin American-Statesman; Best Fiction of 2018, Christian Science Monitor; Favorite Books of 2018, Texas Observer; a One City, One Book choice of seven cities; and a Lit Lovers Book Club Favorites.

Sarah was a finalist for The Dublin International Literary Award; an ALEX award winner; Amazon Literature Best of the Year selection; a two-time winner of the TIL’s Best Novel award; a B&N’s Discover Great Writers selection; a New York Public Libraries Books to Remember; an honoree of theTexas Writers Hall of Fame; an Amazon Literature Best of the Year selection; a Dobie-Paisano Fellowship; and an Austin Libraries Illumine Award for Excellence in Fiction winner. In 2014 she was named Texas Writer of the Year by the Texas Book Festival and presented with a pair of custom-made boots on the floor of the Texas Senate Chamber.

Sarah is a nine-time winner of Austin Best Fiction Writer award. She was recently honored with the University of New Mexico’s 2020 Paul Ré Award for Cultural Advocacy. In 2015 Sarah was one of eight winners selected from 3,800 entries to attend the Meryl Streep Screenwriters’ Lab. Sarah was chosen in 2017 to represent the Austin Public Library as the hologram/greeter installed in the Austin Downtown Library. Sarah was a co-founder of The Writers League of Texas.

She has been an NPR Moth Radio Hour storyteller; a writer for Oprah’s Magazine, NY Times Sunday Magazine and Op Ed columns, Chicago Tribune, Real Simple, Mademoiselle, Glamour, Salon, Daily Beast, Ladies Home Journal, Good Housekeeping, MS, Texas Observer; Alcalde and a columnist for years for Texas Monthly. As a screenwriter, she worked on projects for Warner Bros., Paramount, CBS, National Geographic, Hallmark, ABC, TNT, as well as several independent producers.

She and her husband enjoy open-water swimming and training their corgi puppy not to eat the furniture.

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