Synopsis

Indiana, January 2010.

It’s a hot summer’s day in 1984 when twelve-year-old Gilly and her friend Sally find a dead new-born in a shoebox in the cemetery of their tiny town. Deciding to keep their discovery a secret, they bury the body in Gilly’s yard.

The results are disastrous. Flowers are mysteriously left on strollers. Two local children disappear and end up dead. A suspect is arrested and confesses, blaming the deaths on the girls’ having taken the dead baby.

Gilly grows up but is haunted by what’s happened. As a young woman, she flees the town and its memories, going all the way to Japan.

Returning with her Japanese husband Toshi to attend her mother’s funeral, Gilly finds the past is not past. She’s threatened, and someone is putting flowers on strollers again.

When another child is abducted, Gilly knows she must discover the truth about what happened all those years ago before more lives are lost.

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Praise

“Both a drama and a thriller, full of twists and human insight.”-Thomas Waugh

“The immediate declaration of past events, the discovery and concealment of the dead baby, provides a gripping start to this book.
The story is simple yet powerful, immediately drawing the reader into a world that identifies the challenges of growing up in a small town in Indiana.
The book tackles the casual racism that is often overlooked, with great clarity. Although this is a crime novel it is also a powerful story about how a single childhood event can influence the future.
It compels you to share the history and become part of the small-town network. Through a nexus of characters, we see how relationships that are made in our formative years, affect our lives.
The story is more than a crime novel. It also serves to gives a fascinating insight into life in a small town in the USA, through the eyes of somebody who never really wanted to return.”-ReallyPoshScouser, Amazon

“Lea O’Harra offers us a whodunnit set in a Japan labouring under the weight of cultural imperialism, a country where the characters find that their friends and lovers are really strangers and imperfect ones at that…-Nick Sweet, author of the Inspector Velázquez series

’With her deep knowledge of Japanese culture, superb writing, and sensitivity to human foibles. O’Harra has crafted a cross-cultural whodunnit sure to please Japanophiles and mystery lovers alike.”-Suzanne Kamata, author of Losing Kei

Awards

Autumn 2017 “Lady First” was awarded ‘finalist’ status in the crime fiction section of the Beverly Hill Book Awards.

‘Lady First’ was also a finalist in the National Indie Excellence Awards in 2018.

Review

This was quite an interesting tale, split between the past and the present, with details slow to be released to explain what is going on in this tiny town.

This story is filled with unlikeable characters, dysfunctional families, and a secret that is trying to come out but not very successfully.

Gilly (aka Gillian, aka Mouse) has returned home for her mother’s funeral. She is living in Japan with her husband, who is quite obnoxious. I’m really not sure how she has stayed married to him for nine years. Once back in Bryon, the past comes rushing back, and Gilly has to face the truth.

A lot of this book seemed quite unbelievable. How could two young girls find a dead baby and then not tell anyone? That seemed very bizarre. Obviously, it is eating away at the girls, or at least it does Gilly. Even decades later, when she is back in town, it comes up. Since this is something she hasn’t told her husband, Toshi, he can’t understand anything about her past, her family or why it is a secret. While I get where he is coming from, don’t we all have secrets from our past? Why does everything have to be shared with a spouse if it doesn’t impact them?

There are so many secrets surrounding this little town, and Gilly seems to be in the middle of everything. This makes her look guilty when it is really just coincidental timing with her return to town. However, there are other secrets just dying to get out, and how they impact what is happening in the little town now.

It does take about 2/3 of the book before the past is revealed. Until that point, there are some references but no real explanation of what happened. I believe this is what is called a slow burn. I call it annoying! I wanted to understand how the past impacted the present, but there was no revelation of what happened or why.

However, once the details are revealed, it is a very fast-paced finish to the end of the book. There are some tense moments for Gilly in the last third of the book. Some of the actions of other characters might leave you dumbfounded.

Outside of the mystery, we also see the interactions between Gilly and her brothers. While they were supportive of each other as children, or as much as they could be at that young age, they have all changed, and not necessarily for the better. Nick is self-absorbed, Harry tends to put his head in the sand, and Gilly continues to be bullied. I wondered if there would be any change in that dynamic by the end of the book.

Despite my frustration at the slow pace (because I want to know everything now!), I found myself engaged in this story and wondering how it would turn out.

We give this book 4 paws up.

About the Author

Lea O’Harra has published three crime fiction novels set in rural modern-day Japan: Imperfect Strangers (2015); Progeny (2016); and Lady First (2017). These comprise the so-called ‘Inspector Inoue Murder Mystery’ series originally published by Endeavour Press (UK). She has also had a story included in Best Asian Crime Fiction published by Kitaab Press (Singapore) in 2020.

In the spring of 2022 Sharpe Books reissued the Inoue mystery series and, in September 2022, published Lea O’Harra’s fourth novel, Dead Reckoning, a stand-alone set in her tiny hometown in the American Midwest.

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