Mrs. Odboddy: And Then There Was a Tiger (Mrs. Oboddy Mysteries)
WWII tale of conflict and carnivals, turmoil and tigers.
Cozy Mystery/Humorous/Historical
3rd in Series
Elk Grove Publications (July 25, 2018)
Print Length: 349 pages

Synopsis

While the ‘tiger of war’ rages across the Pacific during WWII, eccentric, elderly Agnes Odboddy, ‘fights the war from the home front’. Her patriotic duties are interrupted when she is accused of the Wilkey’s Market burglary.

A traveling carnival with a live tiger joins the parishioner’s harvest fair at The First Church of the Evening Star and Everlasting Light. Accused again when counterfeit bills are discovered at the carnival, and when the war bond money goes missing, Agnes sets out to restore her reputation and locate the money. Her attempts lead her into harm’s way when she discovers a friend’s betrayal and even more about carnival life than she bargained for.

Granddaughter Katherine’s turbulent love triangle with a doctor and an FBI agent rivals Agnes’s own on-again, off-again relationship with Godfrey.

In Faber’s latest novel, your favorite quirky character, Mrs. Odboddy, prevails against injustice and faces unexpected challenges . . . and then There Was a Tiger!

Guest Post

Today I welcome author Elaine Faber to StoreyBook Reviews.  I could never write a book but I find her tips below quite helpful should I try my hand.  Pretty sure I won’t but will share these tips with other writers I know.

Reviewing the Rules of Writing Good Dialogue
By Elaine Faber

Readers love to read a novel full of dialogue. Often they have no idea that, as writers, we have rules we must follow to keep the dialogue interesting. Every sentence in a novel must move the story forward. This keeps reader’s interest whether it is a fiction story, a devotional, or an article about keeping aphids off rose bushes.

Let’s pull back the curtain on an author as she creates her compelling story.

In dialogue, we don’t repeat the question or person’s name when giving an answer. Example:

George: “Lucy? Do you want to go to the movies with me?”

Lucy “Yes, George, I’d love to go to the movies with you.” (Sounds like the utterances of a robot.)

Readers may not even notice when a skilled writer gives an oblique reply.

George: “Do you want to go to the movies with me?”

Lucy: “It depends. What’s playing and when did you have in mind? I have a very busy social life, you know. (Aha! We’ve moved the goalpost on the story. Lucy may have another suitor.)

We don’t use conversation to impart information.

George: “So? You’ll go with me if you haven’t seen the movie yet?”

Lucy: I have a date with Tom next Saturday night. You know, Tom–my mother’s second cousin’s nephew by marriage? He’s a troubled guy, votes Democrat, but he has a charming personality.”

We don’t use meaningless chit-chat in dialogue. Every conversation should have a purpose, give a clue to something yet to come in the story, or suggest a potential conflict. Example:

George: “You’re going out with Tom? I thought he was in jail for murder.”

Lucy: “He’s out now. He was falsely accused. Now he’s receiving death threats against him or anyone associated with him.”

George: “Really, Lucy?” George raises his eyebrow. “Is it wise to date a guy like that?”

Don’t use conversation to impart lengthy bits of back story. Example:

George: “You should date me, not Tom. Don’t you realize that I was the one who saved your mother from a burning building that she set that night when she was despondent over her divorce, and then she learned that she was my father’s long-lost twin sister, separated at birth by their evil stepmother?”

Lucy: Gasp! “I’ve been away at college way too long. Good grief. Does that make us cousins?”

George: “Maybe kissing-cousins. So is it a date?”

Lucy: “As long as they haven’t arrested me yet for killing my college roommate, who recently died under questionable circumstances when she was smothered in her sleep.”

Review: Each sentence delivers new information. Give oblique answers to a question. Don’t use the person’s name in your response. Don’t use conversation to impart lengthy back story. Don’t repeat the question just asked. The goal is to keep the reader turning pages!

Wow! Writing a book isn’t easy as easy as you thought, right? I had to keep all these things in my head while writing a compelling event that hooks the reader on page one, an exciting middle, and a satisfying and thrilling conclusion. But, it was easy for Mrs. Odboddy to be the prime suspect in a burglary, involved with a counterfeiting ring, losing the war bond money, meeting a tiger and still win at the end. Mrs. Odboddy – And Then There was a Tiger will keep the reader turning pages and looking backward to the previous Mrs. O books, or forward to the next one. Join Mrs. Odboddy on this rollicking adventure as she tackles adversity in this hysterical romp at the Newbury Harvest Fair, even as she fights the war from the home front during WWII.

About the Author

Elaine Faber lives in Northern California with her husband and two feline companions. She is a member of Sisters in Crime, California Cat Writers, and Northern California Publishers and Authors. She volunteers with the American Cancer Society Discovery Shop. She enjoys speaking on author panels, sharing highlights of her novels. Her short stories have appeared in national magazines and multiple anthologies. She has published seven books. In addition to the Mrs. Odboddy Mysteries Elaine writes the Black Cat Mysteries.

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